Jab Parthavi ke bhai ne Madhukar aur unke bacche ko honour killing ke taur par maar diya (chhoti si balcony se neeche fek kar). Toh Uske baad ki kahani ka sequel kyun nahi banaya gaya?
- Dhadak khud ek remake thi – original film ka end wahi tha
- Dhadak ka plot Marathi film Sairat (2016) se inspired tha.
- Sairat bhi exactly usi tarah end hoti hai: honour killing, jahan ladki ke family wale dono ko maar dete hain.
Sairat ke makers ne bhi uske baad ka sequel kabhi nahi banaya, kyunki:
- Kahani ka mool sandesh yahi tha: love vs society.
- Tragic end hi film ka impact banata hai.
- Sequel banana uske emotional closure ko kamzor karta.
Toh Dhadak ka end, Sairat ke pattern par tha — aur intentionally final rakha gaya.
Commercial Logic
Kahani aage badhne layak nahi thi Madhukar mar chuka tha.
Baccha bhi shayad mar gaya.
Sirf Parthavi zinda thi — aur woh bhi emotionally broken.
Aise mein agar sequel banaya jata, toh: Romance ka angle nahi bachta Story completely revenge ya recovery based hoti — which Dharma Productions jaise studio ke style se alag hota.
Audience ne is ending ko powerful maana, aur sequel ki jagah naye kahani pe kaam kiya gaya.
Dhadak 2 – Spiritually sequel hai, lekin story-wise alag
Dhadak 2 ek spiritual sequel hai — same theme, same social issues, lekin nayi kahani, naye characters.
Dharma Productions ne "franchise" banane ke bajaye, Dhadak brand ko social love stories ka label banaya. Jaise:
- Dhadak 1 → Love + Caste
- Dhadak 2 → Love + Caste + Identity + Systemic Discrimination
Yeh ek anthology approach hai — jaise Netflix ki series “Lust Stories”, “Ajeeb Daastaans” etc.
